1889
Wednesday, September 30, 2009
William Mellor - On the Lledr, North Wales
William Luker - Noonday Rest
signed W Luker 1874 l.r.
oil on canvas
18 x 29.5"
.
http://www.artnet.com/artist/664584/william-luker-sr.html
Tuesday, September 29, 2009
Frank Moss Bennett - three pictures
Robert Watson
Charles Robert Leslie - May Day in the reign of Quuen Elizabeth
Sydney Percy Kendrick - Portrait of Dame Sybil Thorndyke
Monday, September 28, 2009
Lawrence Alma-Tadema - Portrait of a Young Man
English School - Portrait of Lady Elizabeth Whitbread
Sunday, September 27, 2009
William Mulready - Collection of 19 drawings & 9 etchings for 'The Vicar of Wakefield'
c. 1840
pencil, ink and etching on paper
http://www.leicestergalleries.com/art-and-antiques/detail/48046
Saturday, September 26, 2009
(Sir) Herbert James Gunn - Sylphide (Vera Savina)
[Sylphide (Vera Savina)]
signed H James Gunn '27' u.l.
oil on canvas
25 x 30"
exhibited RA 1929
.
1893 - 1964.
including pictures for sale - including this painting
Price Realized £6,250
Vera Clark was an English dancer who joined the Ballets Russes in 1924 under the direction of the inspirational and dynamic leadership of Serge Diaghilev. At the time of joining the company, Vera's name was Russianized to Vera Savina. She married the Principal and choreographer Léonide Massine in April of 1926 and became Principal herself in the season of 1927, the year of this portrait.
The present lot shows Vera dressed as the sylph from one of the oldest surviving romantic ballets La Sylphide, the first version of which premiered in Paris in 1832 with choreography by Filippo Taglioni and music by Jean-Madelaine Schneitzhoeffer. Taglioni's version was revived for the Imperial Ballet in 1892 and interpolated by Anna Pavlova in 1904. The Ballets Russes'version of La Sylphide was created by scenographer and one-time artistic director Alexandre Benois, and became an instant classic.
Friday, September 25, 2009
Copley Fielding
[The Passing of Arthur: An illustration to The Idylls of the King by Alfred]
pencil, watercolour and gum arabic with scratching out
38 3/8 x 28½"
exhibited Paris, 1865
.
1778-1855.
http://www.artnet.com/artist/6174/copley-fielding.html
http://en.wikipedia.org/wiki/Copley_Fielding
pencil, watercolour and gum arabic with scratching out
38 3/8 x 28½"
exhibited Paris, 1865
.
1778-1855.
http://www.artnet.com/artist/6174/copley-fielding.html
http://en.wikipedia.org/wiki/Copley_Fielding
Frederick Vigers
[Portrait of the artist's wife, full-length, in a blue dress, holding a bunch of pansies]
oil on canvas
72 x 28 3/4"
.
1852 - 1922.
A painter mainly of landscapes and literary subjects who exhibited both in London and the provinces. He was involved in the Arts and Crafts movememt and produced designs for furniture, rextiles and wall paper.
Henry B. Wimbush
Thursday, September 24, 2009
George Law Beetholme
Wednesday, September 23, 2009
Euston Arch
An historic arch which once stood proudly at the entrance to Euston Station before being demolished by town planners almost 50 years ago is to be restored to its former glory after the discovery of lost stones dumped in a river.
The plans were unveiled by the Euston Arch Trust which has campaigned for the rebuilding of the Greek revival landmark.
Co-founder Dan Cruickshank said: 'The forthcoming redevelopment of Euston Station provides an unmissable opportunity to reinstate the spectacular Euston Arch.
The plans were unveiled by the Euston Arch Trust which has campaigned for the rebuilding of the Greek revival landmark.
Co-founder Dan Cruickshank said: 'The forthcoming redevelopment of Euston Station provides an unmissable opportunity to reinstate the spectacular Euston Arch.